Hindu Mythology, Vedic and Puranic, by W.J. Wilkins, [1900], at sacred-texts.com

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THE VEDIC DEITIES.

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HINDU MYTHOLOGY.

THE VEDIC DEITIES.

CHAPTER I.

THE VEDAS.

Before speaking of the Vedic Deities, it is necessary that something be said concerning the Vedas themselves, the source of our information concerning them. The root of the word is vid, "to know;" hence the term Veda signifies knowledge; and as these books were not written for centuries after they were originally composed, it signifies knowledge that was heard, or orally communicated. The Vedas are not the work of a single person, but, according to popular belief, were communicated to a number of Rishis or saints, who in their turn transmitted them to their disciples. The Seer Vyāsa is styled the arranger, or, as we should now say, the editor, of these works.

The instruction contained in these writings is said to have been breathed forth by God Himself. Other writers teach that it issued from Him like smoke from fire. Sometimes the Vedas are said to have sprung from the

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elements. The accounts of their origin, though differing in form, agree in teaching that they were the direct gift of God to man; and hence they are regarded with the greatest veneration. They are the special property of the Brāhmans. As early as Manu, the nominal author or compiler of a law book probably not more than two or three centuries later than the Vedas, though some suppose it to have been no earlier than A.D. 500, it was regarded as a grave offence for a single word of these divinely given books to be heard by a man of a lower caste.

The Vedas are four in number; of these the Rig-Veda is the oldest, next in order was the Yajur-Veda, then the Sama-Veda, and last of all the Atharva-Veda. Each of these Vedas consists of two main parts: a Sanhita, or collection of mantras or hymns; and a Brāhmana, containing ritualistic precept and illustration, which stands in somewhat the same relation to the Sanhita as the Talmud to the Law. In these are found instructions to the priests who conduct the worship of the gods addressed in. the hymns. Attached to each Brāhmana is an Upanishad, containing secret or mystical doctrine. These are regarded as of lesser authority than the Mantras and Brāhmanas. For whilst they are spoken of as Sruti, i.e. heard, the Upanishads are Smriti, learned. Though based on the older compositions, if there is any discrepancy between them, the teaching of the later ones is rejected. The Sanhita and Brāhmana are for the Brāhmans generally; the Upanishads for philosophical inquirers. Yet, strange to say, whereas the older portions had, until recent years, been almost entirely neglected, with some parts of the Upanishads there was considerable acquaintance amongst the learned pundits of Benares and other places. In many parts

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of India not a man could be found able to read and interpret them. Of the Sanhitas, the "Rig-Veda Sanhita—containing one thousand and seventeen hymns—is by far the most important; whilst the Atharva-Veda-Sanhita, though generally held to be the most recent, is perhaps the most interesting. Moreover, these are the only two Vedic hymn-books worthy of being called separate original collections;" ^* the others being almost entirely made up of extracts from the Rig-Veda. Between the time of the composition of the Rig-Veda and that of the Atharva, considerable changes in the religious faith of the people had come about. The childlike trust of the earlier hymns has disappeared, and the deities now seem more cruel, and there is greater need of propitiatory offerings. Probably the old religion of the people whom they had conquered had begun to tell on that of the Aryans.

The Sanhitas of three of the Vedas are said to have some peculiarity. "If a mantra is metrical, and intended for loud recitation, it is called Rich (from rich, praise) whence the name Rig Veda; i.e. the Veda containing such praises. If it is prose (and then it must be muttered inaudibly), it is called Yajus (yaj, sacrifice, hence, literally, the means by which sacrifice is effected); therefore Yajur-Veda signifies the Veda containing such yajus. And if it is metrical, and intended for chanting, it is called Sāman [equal]; hence Sāman Veda means the Veda containing such Samans. The author of the Mantra, or as the Hindus would say, the inspired 'Seer,' who received it from the Deity, is termed its Rishi; and the object with which it is concerned is its devata—a word which generally means a 'deity,' but the meaning of which, in its reference to mantras, must not

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always be taken literally, as there are hymns in which not gods nor deified beings, but, for instance, a sacrificial post, weapons, etc., invoked, are considered as the devata. ^* It should, however, be noticed that the deifying of a "sacrificial post" or a "weapon" is in perfect harmony with the general pantheistic notions which prevailed amongst the people then as now: so that there is nothing unnatural according to their religious ideas in speaking even of inanimate objects as deities. There is little doubt that the Brāhmanas are more recent than the Sanhitas.

The Vedas have not come down to the present time without considerable dispute as to the text. As might have been expected, seeing that this teaching was given orally, discrepancies arose. One account mentions no less than twenty-one versions (Sākhās) of the Rig-Veda; another gives five of the Rig-Veda, forty-two of the Yajur-Veda, mentions twelve out of a thousand of the Sāman-Veda, and twelve of the Atharva-Veda. And as each school believed that it possessed the true Veda, it anathematized those who taught and followed any other. The Rig-Veda Sanhita that has survived to the present age is that of one school only, the Sākala; the Yajur-Veda is that of three schools; the Sāma-Veda is that of perhaps two, and the Atharva-Veda of one only.

"The history of the Yajur-Veda differs in so far from that of the other Vedas, as it is marked by a dissension between its own schools far more important than the differences which separated the school of each [of the] other Vedas. It is known by the distinction between a Yajur-Veda called the Black—and another called the White—Yajur-Veda. Tradition, especially that of the

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[paragraph continues] Purānas, records a legend to account for it. Vaisampāyana, it says, a disciple of Vyāsa, who had received from him the Yajur-Veda, having committed an offence, desired his disciples to assist him in the performance of some expiatory act. One of these, however, Yājnavalkya, proposed that he should alone perform the whole rite; upon which Vaisampāyana, enraged at what he considered to be the arrogance of his disciple, uttered a curse on him, the effect of which was that Yājnavalkya disgorged all the Yajus texts he had learned from Vaisampāyana. The other disciples, having been meanwhile transformed into partridges (tittiri), picked up these tainted texts and retained them. Hence these texts are called Taittiriyas. But Yājnavalkya, desirous of obtaining Yajus texts, devoutly prayed to the Sun, and had granted to him his wish—'to possess such texts as were not known to his teacher.'" ^* And thus there are two Yajur-Vedas to this day; the Black being considered the older of the two.

As to the date of the Vedas, there is nothing certainly known. There is no doubt that they are amongst the oldest literary productions of the world. But when they were composed is largely a matter of conjecture. Colebrooke seems to show from a Vaidick Calendar that they must have been written before the 14th century B.C. Some assign to them a more recent, some a more ancient, date. Dr. Haug considers the Vedic age to have extended from B.C. 2000 to B.C. 1200, though he thinks some of the oldest hymns may have been composed . B.C. 2400. Max-Müller gives us the probable date of the Mantra, or hymn portion of the Vedas, from B.C. 1200 to B.C. 800, and the Brāhmanas from B.C. 800 to B.C. 600, and the rest from B.C. 600 to B.C. 200.

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There is nothing whatever in the books themselves to indicate when they were written. All references in them are to their being given orally, learned, and then again taught audibly to others. Probably for centuries after the art of writing was known in India it was not employed for preserving the sacred books, as in the Mahābhārata those who write the Vedas are threatened with the punishment of hell.( 9 )

Footnotes

5:* "Indian Wisdom," p. 9.

6:* Goldstücker, art. "Vedas," Chambers's Cyclopædia.

7:* Art. "Vedas," Chambers's Cyclopædia.